Since the release of the technicolour BBC Folk Album of the Year, Mount The Air in 2015, The Unthanks have both scaled up to symphonic levels with Charles Hazelwood and the BBC Proms, and stripped down to the unaccompanied singing they grew up with for Diversions Vol 5. They’ve written six scarecrow soundtracks for Mackenzie Crook’s beautiful adaptation of Worzel Gummidge, while finding time to interpret the work of female writers including Emily Bronte, Molly Drake and Maxine Peake. But projects and diversions aside, Sorrows Away is the long-anticipated follow-up to Mount The Air, and as the title suggests, promises to be a blues-buster and a step into the light for a band known more for melancholy and well, sorrow!

At the nucleus of a constantly evolving unit is the traditional upbringing of Tyneside sisters Rachel and Becky Unthank and the arrangements and writing of composer, pianist, producer and Yorkshireman, Adrian McNally. Descriptions of The Unthanks range variously from “music that asks you to consider everything you know and un-think it”, to “a take on tradition that flips so effortlessly between jazz, classical, ambient and post-rock, it makes any attempt to put a label on them a waste of time”. Using the traditional music of the North East of England as a starting point, the influence of Miles Davis, Steve Reich, Sufjan Stevens, Robert Wyatt, Antony & The Johnsons, King Crimson and Tom Waits can be heard in the band’s 14 records to date, earning them a Mercury Music Prize nomination and international acclaim along the way.